Wednesday, April 8, 2020

Joel Elgin, Athraigh Studio. Printmaking in the Time of COVID-19. A Series of Small Exhibitions: Lunch Time!





In this time of COVID-19 we need to support the restaurants that we used to frequent for lunch.

So please order some food and pick it up or have it delivered. Remember that eventually we can all leave our homes and go out for lunch in style, as depicted in the following prints…

Isabel Bishop,
"Lunch Counter", 1940
Etching 


Sarah Berman
"Lunch Bar"1940
Etching


Sarah Berman
"Lunch Hour", 1935-43
Lithograph 



James Grant
 "Au Cafe", 1927
Etching


Jacob Kainen
 "Lunch", 1936
Lithograph


Paul Cadmus
Greenwich Village Cafeteria." 1934
Etching





Please check out the video version at the Athraigh Studio YouTube site:



 Thanks for checking in!



Joel Elgin, Athraigh Studio. Printmaking in the Time of COVID-19. A Series of Small Exhibitions: Eugene Camille Fitsch






The impact of COVID – 19 on the arts is impossible to measure. Performances can’t go on. 

Speaking (via FaceTime) with our treasured theatre friends Mary and Joe, we learned that their Summer Season has been cancelled.

So today Athraigh Studio offers you a small exhibition of prints depicting life behind the scenes, life behind the theater curtains...


Eugene Camille Fitsch

Born in Alsace-Lorraine in 1892. Fitsch was an instructor at the Art Students' League where he taught etching, lithography and woodcut. In addition, Fitsch was a scenic artist who designed over 120 plays. Many of his prints are behind the scenes views of Broadway and Off- Broadway plays. He died in Brewster, MA 1972.


After Performance, 1930
Lithograph


Setting the Lights,  1935
Lithograph


Dancer. Pianist, 1933
Lithograph


The Brothers Karamazov-Before the Curtain Rises, 1927
Lithograph


Stage Landscape
Drawing


Scenery
Etching


Please check out the video version at the Athraigh Print Shop YouTube page:



Thursday, April 2, 2020

The latest Printmaking in the time of COVID - 19 videos!




At Athraigh Print Studio we certainly understand that COVID – 19 has created a real need for social distance. 

So as you stay in, I suggest you add learning more about printmaking to your list of things to do. No surprise huh? We make prints here and want the world to know more about the greatest of art media.

To make learning more about printmaking easy for you, I’m creating a series of small (under 4 minutes) video exhibitions that should inform you without boring you.

Stay safe and learn about prints!

To view the exhibits please go to:



The most recent exhibits:

Hughie Lee-Smith:


Paul Cadmus:


Felix Buhot:



Margaret Taylor Burroughs:



James McNeill Whistler:



Thanks for reading and watching! Catch the main website for Athraigh Print Studio at:



Wednesday, March 25, 2020

Printmaking in the Time of COVID-19




Printmaking in the Time of COVID-19

Remember to embrace that self-isolation, social distancing and while you are at it – continue to learn more about printmaking. Athraigh Printmaking Studio will be publishing a series of small exhibitions to keep you learning…

Hey did you catch the latest videos?

Joel Elgin, Athraigh Studio. Printmaking in the Time of COVID-19. A Series of Small Exhibitions: Anders Zorn



Joel Elgin, Athraigh Studio. Printmaking in the Time of COVID-19. A Series of Small Exhibitions: Marc Chagall





Thanks for reading!
...want to read more?
 
Athraigh Print Studio Web Page:


Athraigh Print Studio YouTube Page:

Monday, March 23, 2020

A Series of Small Exhibitions: Elizabeth Catlett






Time to take a brief departure from the posts regarding influence and attend to a pressing contemporary event that is affecting us all.

During the run of the COVID - 19 virus, Athraigh Print Studio will present a series of small video exhibitions to provide distraction and to foster the understanding/appreciation of printmaking.

The second Exhibition, 

Joel Elgin, Printmaking in the Time of COVID-19. A Series of Small Exhibitions: Elizabeth Catlett



Sunday, March 22, 2020

Printmaking in the Time of COVID-19. A Series of Small Exhibitions:





Time to take a brief departure from the posts regarding influence and attend to a pressing contemporary event that is affecting us all.

During the run of the COVID - 19 virus, Athraigh Print Studio will present a series of small video exhibitions to provide distraction and to foster the understanding/appreciation of printmaking.

The initial Exhibition, 


Joel Elgin, Athraigh Studio. Printmaking in the Time of COVID-19. A Series of Small Exhibitions: Sigmund Abeles.




Is currently airing on YouTube at:



Wednesday, March 18, 2020

Joel Elgin. The influence of the artwork of Oceania. Day 2





Joel Elgin. The influence of the artwork of Oceania. Day 2



So did you decide if Rockefeller was a collector or a looter? Do you think he was eaten or drowned?

Sorry, I don’t have an answer but I can reveal to you how the art of the Oceania region influences the art I produce at Athraigh Print Studio… please read on.

Today we need to look to an island just west of New Guinea called the Island of Sulawesi and learn of the contents of the Leang Timpuseng Cave, in Maros-Pangkep, Indonesia.

This matters to us because we want to begin by looking at the ancient 37,900 BCE, Sulawesi Cave art. The cave paintings of hands and animals in seven limestone caves on the Indonesian island of Sulawesi may be as old as the earliest European cave art.





Video time:
World's oldest cave art in Maros-Pangkep, Sulawesi, Indonesia
Oct 8, 2014 - Uploaded by SciNews


Melanesia
Melanesia includes New Guinea, the islands of the Bismarck Archipelago, the Solomon Islands, New Caledonia, Vanuatu, and the Fijian Islands. 

In the Asmat region, bis poles were created to honor individuals who have recently died and become ancestors.

Each figure on the poles represents and is named for a specific deceased individual.



New Guinea, Irian Jaya; Asmat people, Omandesep
Bis Pole
Wood, paint, fiberH x W x D: 212 x 39 x 63 in. (538.5 x 99.1 x 160 cm)
The Metropolitan Museum of Art, The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 (1979.206.1611)




Asmat ancestral spirit poles (mbis), Faretsj River
University of California, San Diego

The Asmat  celebrate the artistry of wood carving. Fumeripits is regarded as the first Asmat wood carver.

The Asmat people believe that they descended from Fumeripits, the first man who lived on the land. The myth relates that Fumeripits, as the first man, carved statues from wood to ease his loneliness. Further, he carved a drum named Tifa.

Fumeripits played Tifa sung so loudly that the statues he had carved came to life and danced. These now live statues were the original Asmat people. Fumeripits made houses and villages for his people.

The artistry of carving drums, poles, boats, statues is sacred and ritualistic to the Asmat.




Asmat Drum “Tifa”




Asmat Drum “Tifa” 2




Asmat Ancestor Figure

 We could easily spend weeks looking at the artwork of the Asmat people. The art they produce is both beautiful and powerful. Their culture needs to be known for more then the possible demise of Michael Rockefeller. Let me leave you with two “light” dancing images from the Peabody collection at Yale.



Asmat
Women dancing in front of men's house while men are cutting trees
Peabody Museum of Natural History
Yale University: Peabody Museum of Natural History



Asmat
Boys dancing in men's house
Yale University: Peabody Museum of Natural History


Check out some additional info on the Asmat by going to:



Thanks for reading! Catch you next time.