Wednesday, July 8, 2020

“Where We At” Black Women Artists' Collective. “Weusi” Artist Collective KAY BROWN (1932 - 2012)



 

“Where We At” Black Women Artists' Collective.
“Weusi” Artist Collective
KAY BROWN (1932 - 2012)

During the run of COVID-19, Joel Elgin’s Athraigh Printmaking Studio would like to offer you an opportunity to gain some knowledge of both printmaking/art and the various methods and reasons artists react to the issues around us.

African – American artist’s groups and collectives have traditionally created the support needed to build a strong unified voice. The collective voice from sixty years back is not only the structure for the contemporary art produced today but also impacts the street art that is so important in the raising of awareness in the current nation/worldwide protests.

Artist Kay Brown was a member of two important groups: Where We At and Weusi.

“…Kay Brown (1932-2012) was an African American artist and one of the founders of the Where We At Black women artists’ collective in New York City. She was also a member of the Weusi Artist Collective, based in Harlem during the 1960s and 1970s…”

Weusi Artist Collective
“…A Swahili word meaning blackness, “Weusi” is also the name of a distinguished collective of artists established in Harlem during the 1960’s...”

Where We At Black Women Artists' Collective
“ … In early 1971, Kay Brown, Dindga McCannon, and Faith Ringgold gathered a group of black women at McCannon’s Brooklyn home to discuss their common frustrations in trying to build their careers as artists… Out of this initial gathering came one of the first exhibitions of professional black women artists: “Where We At”—Black Women Artists, 1971. Adopting the show’s title as its name, the collective began meeting at members’ homes and studios, building support systems for making their work while assisting each other with childcare and other domestic labor. Where We At recognized the power of collectivity—empowering black women by creating a network to help them attain their professional goals as artists…”

 The Devil and His Game
 collage of various papers and mixed media on canvas, 1970



The Kick of Life
color etching and aquatint. 1974



Black Mother and Male Child
etching and aquatint on cream wove paper. 1974–1975



Meditation
etching, aquatint



Willowbrook
etching, aquatint



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